Over at Reason.com an interesting article by the ever-thoughtful Brendan O'Neill - How Britain is using classical music as a form of social control.
Of course, we all know about the use of Beethoven & friends to deter young people from spending time in train stations - the new story is the decision by schools to subject
badly behaved children to Mozart and others. In “special detentions,” the children are forced to endure two hours of classical music both as a relaxant... and as a deterrent against future bad behavior (apparently the number of disruptive pupils has fallen by 60 per cent since the detentions were introduced.)
... some of the children who have endured this Mozart authoritarianism now find classical music unbearable. As one critical commentator said, they will probably “go into adulthood associating great music—the most bewitchingly lovely sounds on Earth—with a punitive slap on the chops.” This is what passes for education in Britain today: teaching kids to think “Danger!” whenever they hear Mozart’s Requiem or some other piece of musical genius.
Sounds familiar? It should -
Anthony Burgess’s nightmare vision of an elite using high culture as a “punitive slap on the chops” for low youth has come true. In Burgess’s 1962 dystopian novel A Clockwork Orange, famously filmed by Stanley Kubrick in 1971, the unruly youngster Alex is subjected to “the Ludovico Technique” by the crazed authorities. Forced to take drugs that induce nausea and to watch graphically violent movies for two weeks, while simultaneously listening to Beethoven, Alex is slowly rewired and re-moulded. But he rebels, especially against the use of classical music as punishment.
Pleading with his therapists to turn the music off, he tells them that “Ludwig van” did nothing wrong, he “only made music.” He tells the doctors it’s a sin to turn him against Beethoven and take away his love of music. But they ignore him. At the end of it all, Alex is no longer able to listen to his favorite music without feeling distressed. A bit like that schoolboy in Derby who now sticks his fingers in his ears when he hears Mozart.
By Alex Deane




